WARNING: Visitors should be aware that this blog post includes images and names of deceased people that may cause sadness or distress, particularly to Aboriginal and Torres Strait Islander peoples.

In previous posts (here and here), I’ve recounted two newspaper reports from 1858 and 1859, in which local Aboriginal people were reported as holding corroborees in Beechworth, when they ‘camped a distance from town, near the [race]course’, which they did annually. [1]

More recently I came across another reference to an Aboriginal corroboree in Beechworth:

Towards the end of 1856 a remnant of the Barwidgee blacks were in existence, King Billy, their leader, being a familiar character. He was adorned with a brass plate suspended from his neck with his name engraved on it, which he was very proud. They held a corroboree on the site where Mr. S. H. Rundle’s residence was situated. The moon was at its full. They were painted with white lines that gave them the resemblance to skeletons, and danced round a fire, while two old gins kept up a tatoo with sticks and made a droning kind of noise. There was no melody in it, but the time was perfect. [2]

The site of the corroboree is very specific: S. H. Rundle’s residence. ‘Which was where?’ I hear you ask. I assumed that it would be near the site of the former racecourse at Baarmutha Park, if the Aboriginal people held their corroborees in the same location every year (at least throughout the late 1850s). After plenty of assistance at the Burke Museum going through old directories, gazettes and rates books, I was not able to locate Mr Rundle or his house; only his draper’s store, London House, in Ford Street. At the Museum, Dan Goonan pulled out numerous old maps of Beechworth, but these only listed the very first owner of each surveyed allotment, and the date of its survey. (Even though we couldn’t find Rundle’s residence on them, the old maps eventually proved helpful.) So what to do?

As I soon discovered, there are many references to S. H. Rundle’s residence to be found in the Ovens and Murray Advertiser throughout the 1870s until the end of the century, uniformly describing it as being ‘on Sydney Road’. Even more helpfully, S. H. Rundle put his residence up for sale in 1878-9 (unsuccessfully it seems), so there is a listing for the property in the Ovens and Murray Advertiser describing it as:

MAYDAY HOUSE, Sydney Road, Beechworth
THE Residence of Mr S. H. Rundle.
The Property stands on Five Acres.
Land with choice Garden.
The party buying the above property will have the option of renting the ten-acre paddock adjoining.
For particulars apply to S. H. RUNDLE. [3]

An advertisement for the same property the year before makes it plain that Rundle owned both the five and ten acre allotments, which he had initially tried to sell as one parcel:

MAY-DAY HOUSE, with 15 ACRES LAND, Sydney-road; Beechworth, the residence of S. H. Rundle, with GARDEN of about 3 Acres, well laid out with the choicest shrubs and flowers; also, fine ORANGERY and ORCHARD, in full bearing, with the finest varieties of fruits, and Green House. Paddocks subdivided and laid down in English grasses, and Water laid on. Ten minutes walk from the Post-office. Title guaranteed. For particulars apply to S. H. Rundle. [4] 

The first survey of Beechworth in June 1853 treated ‘Sydney Road’ — rather than a continuation of Ford Street as it is today — as a continuation of High Street. (This accounts for the great width of Junction Road today, including the fact that there is more than enough space for parents to park their cars along the Primary School boundary.) The surveyor, George Smythe, laid out ten allotments along the eastern side of Sydney Road, stretching from High Street to Cemetery Road (just past the High School). The first allotment on the corner of High Street was 10 acres, and the remainders, 5 acres each. [5] We know that Rundle held 15 of these acres.

As a portion of Sydney Road was renamed Junction Road at least by the 1860s if not earlier [6], and Rundle’s residence continued to be described as being on Sydney Road, we can exclude that he owned either of the allotments from High Street to just before Victoria Road: those originally belonging to Henry Smyth and George Smythe (allotments 1 & 2).

We can get another clue as to where on Sydney Road Rundle’s residence was located from the fact that in 1883, Councillor Ingram ‘presented a petition to Council from a number of residents of Sydney Road, Beechworth, requesting that a lamp be placed at the stone culvert in front of Mr Rundle’s private residence; also, another a short distance the other side of the Vine Hotel, as nearly opposite as possible where the roads leading to Yackandandah and El Dorado, &c., divide.’ [7] So: Rundle’s residence was near the Vine Hotel. The Vine Hotel is often described as being on Reid’s Creek Road or Chiltern Road, and so must have been near the intersection of what is Sydney Road and Old Chiltern Road today.

To add to this, in 1868, a ‘robbery which appears to have been the work of Chinese thieves, took place on Monday night or Tuesday at a hut between Mr Rundle’s house and the Vine Hotel, Beechworth, on a paddock of Mr J. S. Clark’s.’ [8] So: Rundle’s residence was near the Vine Hotel, with a paddock and hut in-between owned by Clarke. Later maps show that J. S. Clark owned allotment number 9.

Therefore Rundle could only have owned 3 consecutive allotments on Sydney Road out of those numbered 3-8. On the original survey, three consecutive allotments were originally owned by Edwin Vickery, and it is tempting to assume Rundle purchased these to make up his 15 acres. All of them would have originally backed onto the racecourse reserve (with un-surveyed land in between).

The best I could discern with any degree of certainty is that Rundle’s residence, and therefore the corroboree ground of the late 1850s, was somewhere along Sydney Road between Victoria Road and roughly the Hospital grounds, taking in Beaumont Drive, Nankervis Court and Hillsborough Village. Then this happened:

UP-DATE The morning after I published this blog (on 20/7/18), Jenny Coates, who has a genealogy blog relating to Wangaratta, sent me a link to a newspaper description from 1912 of the next time Rundle’s property came up for sale. The property had expanded by this stage to 20 1/2 acres, and was owned presumably by Sydney Rundle’s son W. J. Rundle. It was described as comprising ‘Allot. 5 of Section A, Suburban Allots. 8 and 9, and part of Suburban Allot. 7’ and as the ‘Largest Township Property in Beechworth’. Given its size and significance, I told myself it had to be in the Beechworth rate books, so I went back to the Burke Museum, whereby I swiftly found Sydney Rundle’s property in the rate books (the book 1878-1880), as Allotments 6, 7, 8 Sydney Road. (Obviously Sydney Rundle initially owned these three allotments; Allotment 5 was added sometime later; and by 1912, some of the land had been divided in suburban lots.) If you refer to the above maps you can see that Allotments 6-8 takes in the land along Sydney Road now taken up by Best Western Motor Inn, the Hospital Grounds, and the houses either side of Beaumont Drive as far as the little park. [see additional references below].

This may have been a long-standing corroboree ground, unless the activities of the gold miners had displaced another earlier site.

Can we imagine some of what happened in this corroboree? Here is a description from an article in 1858, of a corroboree ‘near the course’, which I will quote at length:

The blacks, about twenty in number, ranged themselves in the form of a semi-circle, having several large fires kindled in front, their lubras being in the rear. Their faces were streaked with white paint in a savagely artistic style, and daubs of the same graced their shoulders — the left shoulder of one and the right of another alternately as they stood in line, so as to produce an agreeable uniformity. They had bushes attached to their legs, and carried boughs in their hands. On a given signal the lubras commenced singing, not exactly a la Julia Harland [i.e.: American operatic vocalist, then recently arrived in Australia], but in a very low key, and in strains sounding more like “Yankee Doodle” or the hurdy gurdy than anything else in modern music. The time kept, however, by the musicians, would not have disgraced Jullien [i.e.: a musician then famous for The Drum Polka], and was marked by beating their ‘possum skins, or blankets with a stick, and at the same time producing a deep, monotonous accompaniment.

Immediately on the striking up of the music, the savages, who had been standing with their legs a little apart, began to move to the time of the music, bringing their knees together, and then again bending them outwards without moving the position of their feet. They gradually appear to feel the inspiration of the songs, as the Scotchman is said to be inspired by the sublime music of the bagpipes, and their motions grow more animated. The time of the tune changes from somewhere about two fourths to six-eighths, the beating of the ‘possum skins is more rapid, the savages join in the concert, and commence throwing their arms about, and imitating at short intervals the hushing of the serenaders in their commencement of a railway overture. The time of the music again changes, and again, until it reaches furioso; and in tho same degree does the excitement of the sons of the bush increase, until having reached the climax, when the howling of the “entire strength of the company,” in concert, the furious whirling of the boughs in their hands, their fantastic and continually changing gestures and attitudes, coupled with the wildness of the adjacent scenery, the grotesque effect produced by the painting their faces and forms, and the immense fires apparently encircling the bodies of the actors create a spectacle…

… After this state of semi frenzy has continued some minutes, it gradually diminishes, and at last ceases entirely. The participators lie about in twos and threes, close to their fires, some occasionally singing snatches of their native music, and beating time with two pieces of stick, while others on hearing’ the strains, so great is the effect produced, jump up and commence “fighting their battles o’er again,” singly after the manner we have described, until totally exhausted with their exertions they drop down into their miamias one after the other, and seek strength and renewed vigor in repose. [9]

Maybe next time you are travelling along Sydney Road, take a moment to re-imagine the landscape  — alive with the dance, music, ritual and stories of Beechworth’s first nations’ people.

Thank you: Scott Hartvigsen for questioning my initial thoughts and nudging me to reassess the evidence.

References:

[1] ‘THE MURRAY NATIVES. (From the Constitution.)’, The Age, Tuesday 13 April 1858, p.4; ‘Fashionable Arrivals,’ Ovens and Murray Advertiser, Wednesday 23 February 1859, p.2.

[2] ‘Old Memories — From an imported article No. III’, Ovens and Murray Advertiser, 20 October, 1906, p.8.

[3] Ovens and Murray Advertiser, 29 May 1879, p.1.

[4] Ovens and Murray Advertiser, 23 February, 1878, p.2. It also appears that S. H. Rundle never did sell this house and that it stayed in the family. Family notices in the Ovens and Murray Advertiser, Monday 6 January 1902, p.1; list Sidney Rundle as having died at Mayday House, Sydney Road.

[5] Survey of the township of Beechworth, May Day Hills, as surveyed by Geo D. Smythe, 8 June, 1853 (lithographed by the Surveyor General’s Office, Victoria, 1855; State Library of Victoria.

[6] It is apparent that Junction Road, as separate from Sydney Road, makes an appearance in the 1860s. See: Ovens and Murray Advertiser 30 November, 1869, p.4.

[7] Ovens and Murray Advertiser, 9 June 1883, p.1

[8] Ovens and Murray Advertiser, 17 December 1868, p.2.

[9] The Age, 1858, op. cit.

Additional references:

‘Highly Important Sale. VALUABLE RESIDENTIAL PROPERTY, – Within Ten, Minutes of Beechworth Post Office. MAY DAY HOUSE,’ OVENS AND MURRAY ADVERTISER, 7 December, 1912, p.3.

Property 733, owned by Sydney Rundle, Beechworth Shire Rate Book 1878-1880, Robert O’Hara Burke Memorial Museum.